But last week, I got a chance to check out the GH5S’s low-light capabilities. The ‘Low ISO’ range from 80 – 800 and the ‘High ISO’ range from 800 – 51200. Some of the tree detail in the test shot isn’t coming out very well on the GH5S compared to the Sony. Note: My camera is running firmware version 0.2! This is half the resolution of the 20.2-megapixel sensor in the GH5, but in return offers better performance in low light. Feb 12, 2018 permalink. Let’s not mess about with snowflake ISO 1600 in this test. Exceptional low-light performance is a key capacity for professional videography, and you’ll enjoy this and much more with the new LUMIX GH5s! The larger sensor is good to have too. The mighty A7S II low light camera model barely displays any advantage at ISO 12,800 and can’t do Super 35mm mode in 4K due to the low megapixel count. Panasonic says users can get up to ISO 51200 native with minimal noise, and up to ISO 204800 when extended ISO is use At the iconic McKittrick Hotel in Manhattan, Chris educates us on the multi-aspect sensor and its unique capabilities. This means that the GH5s still has a usable, clean image at ISO 6400 and 12800. Today we figure out how high you can actually take your ISO without losing color information and detail. The LUMIX GH5S includes cutting-edge C4K: 60p50p 8-bit, 30p25p/24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p/25p/24p 4:2:2 10-bit recording with unlimited recording. This means the images might not look quite as sharp and detailed if you were to print them for a coffee table book, but the performance in low light will be much improved. GH5s gives a better lowlight image at ISO 6400, same at 12800, slightly less at 20000, 2 stops less at 102400. Follow the explanation from LUMIX Ambassador Steven Clarey about Dual Native ISO and see, how the great Low Light sensitivity in LUMIX S1H and GH5S are achieved. If the performance changes when updated, I will re-do the test. The vignette of some of these lenses, especially wide angle, would shift around in the corners with the moving sensor during a recording, and might have been too tricky to correct digitally. Panasonic GH5S and GH5 side-by-side So I thought: before we put it up against the a7S II, I have to put it up against the original GH5. Dual Pixel or 4D Phase-Detect AF would have been first on my list with the video-orientated model. This is an important consideration for a pro video camera and I expect the GH5S to find a home on high profile shows like this immediately. Proving that they can push the GH-series even farther into the video realm, the Panasonic Lumix DC-GH5S is a mirrorless Micro Four Thirds camera optimized for movie recording and low-light performance. ISO 12,800 is perfectly usable now. These websites are stupid because this is primarily a VIDEO camera with a multi-aspect ratio sensor that is wider in 16:9 4K than in stills mode! Both images from 16000ISO on would rather not be used for cinema projection. provides a crisp live view and high visibility even in sunny shooting conditions. What the Panasonic GH5S and Sony A7R III both have in common is that they are MUCH cleaner in Hybrid Log Gamma mode at ISO 12,800 overexposed by 1-2 stops, rather than shot in plain old Rec.709 standard color at ISO 6400. Let’s make it clear: the Panasonic Lumix GH5S (or GH5s, if you prefer) is designed to offer everything you need inside the body, and it even offers you a large high-resolution rear monitor, to control it all. The GH5S does deliver on it’s low light promise, even vs the best 4K full frame cameras. The Panasonic’s midtones especially are richer, less blown out, and the whole photo features less noise and better white balance. This is something Panasonic should be making a bigger deal about and it means with a Metabones Speed Booster XL you are now getting a full frame 1.1x view of your Canon lenses… at least horizontally. The GH5S is a camera which leans farther into the video capturing niche compared to the LUMIX DC-GH5, while the “S” in the new name stands for sensitivity – especially light sensitivity in low lighting that has been boldly billed as one of the main highlights of the camera. A7Sii is applying a lot of noise reduction and giving us artefacts from 12800 upwards in low light. So the GH5S is much more like the GH2. provides a crisp live view and high visibility even in sunny shooting conditions. And with the GH5S’s dual native vlog ISO’s of 800 and 5000 and extended ISO going all the way to a mind-bending 204,800, I will definitely want to compare the GH5 and GH5S in low light. Senior reporter at Gizmodo, formerly Tom's Guide and Laptop Mag. But the GH5S is a little different, because has two native ISOs rather than just one. The Sony mirorrless cameras do an outstanding job at this low light ISO level. Roughly halving the resolution of the sensor means the GH5S should perform better in low light levels since the photosites in the new camera are roughly 1.96x larger than those in the GH5. Panasonic claims it’s just as adept at capturing low-light video too. Really, they are quite similar for most people and I can’t see very many GH5 users getting rid of the camera so soon, losing IBIS in the process, for the more expensive GH5S. The 3.2-inch LCD monitor (1,620k-dot approx.) 0. Back at CES, Panasonic announced a camera which is designed primarily to do one thing above all else: get the best possible low-light pictures and videos. What Is the Biggest Scientific Fraud of the Past 50 Years? Underlining the low light improvement, the GH5S offers a Dual Native sensitivity range. "LUMIX Tether" Camera Control PC Software The LUMIX GH5s allows tethered shooting via USB with "LUMIX Tether" PC software. Copyright © 2010-2020 EOSHD - Andrew Reid, The EOSHD 5D Mark III Raw Shooter’s Guide, The EOSHD Anamorphic Shooter’s Guide 2nd Edition, The EOSHD Sony A7 Series Shooter’s Guide to Full Frame Lenses. The Nintendo Switch Finally Enters 2020 With a Firmware Update Full of Necessities. Underlining the low light improvement, the GH5S offers a Dual Native sensitivity range. The NX1 only at ISO 6400 as that is the maximum for the camera. Apple M1 crushes Intel – beats $6000 Mac Pro 2019 and 10 core Intel i9 MacBook Pro 16″, Down the rabbit hole – View the YouTube front page as others do, Shooter's Guides / LUTs / Colour Profiles. Let’s make it clear: the Panasonic Lumix GH5S (or GH5s, if you prefer) is designed to offer everything you need inside the body, and it even offers you a large high-resolution rear monitor, to control it all. As you can see, the details of the scene really started to reveal themselves at the high ISO levels. But last week, I got a chance to check out the GH5S’s low-light capabilities. On top of that trade off, the GH5S features Panasonic’s dual-native ISO. Supporting video recording in the highest 4K quality without cropping, and a high sensitivity 10.2MP MOS sensor, the GH5S produces simply stunning films, whenever inspiration strikes. This means that the GH5s still has a usable, clean image at ISO 6400 and 12800. "LUMIX Tether" Camera Control PC Software The LUMIX GH5s allows tethered shooting via USB with "LUMIX Tether" PC software. The GH5S does deliver on it’s low light promise, even vs the best 4K full frame cameras. But what especially surprised me was how many usable shots I was getting at ISO 6,400 and 12,800. I need to double check the result to see what the noise reduction is doing, so take that one with a slight pinch of salt for now. Quick Conclusion. Download the uncompressed version here. Yes it is a shame to lose the stabilisation, but for shows like The Grand Tour on Amazon, they’ll have fewer vibration problems from the GH5s being used as a POV camera inside a car. The GH5 features a 20MP Live Mos sensor which is currently the highest resolution you can … Sensor. The independent voice on cameras for filmmakers and photographers, by Andrew Reid. For me the colour on this camera is closest to the Canon 1D C. The Sony and Panasonic need more of that digital edge taking off but they are good for when you want a more energetic, electrifying punch to low light shots. And I’m just scratching the surface of what the GH5S can really do. The ‘Low ISO’ range from 80 – 800 and the ‘High ISO’ range from 800 – 51200. GH5S Key Features: 10.2MP High Sensitivity MOS sensor for improved image quality in low light It has a new 10.2-megapixel Digital Live MOS Sensor, Venus Engine and Dual Native ISO technology, which combined together make it the most capable low-light Micro Four Thirds camera currently on the market. Panasonic recently launched the new LUMIX GH5S camera, which is said to be the successor to the previous LUMIX GH5. Was an archery instructor and a penguin trainer before that. In the comparison, you can see the GH5S low-light image quality speed ahead of the GH5 from that point. Who wants a randomly creeping shadow in the corner? LUMIX has reached extraordinary new heights in recording low-light, high-quality images that greatly expand the possibilities for video creators. The Panasonic Lumix DC-GH5S is a Micro Four Thirds mirrorless interchangeable lens camera body announced and released by Panasonic in January 2018. The Panasonic Lumix GH5S is a new flagship compact system camera aimed at professional videographers. The biggest change in the GH5s is the new dual ISO 10.2-megapixel sensor. Panasonic GH5S vs Panasonic GH4 Comparison of Available Lenses Which camera has more lenses? Try not to under-expose these cameras in low light. Now to ISO sensitivity. Instead it still hunts around far too often for focus in video mode, albeit a bit faster than the GH5. It’s only once you push past than into ‘special use’ one off mega high ISOs that you see it’s worth. Does the Panasonic GH5S finally achieve full-frame like performance at ISO 12,800 against the best of the competition? That said, for most people, the standard GH5 is likely a better buy, and I would like to spend some more time doing a real shoot off between it and something like Sony’s A7S II to figure out which camera really reigns supreme in low-light. I do love the NX1 still after all these years. “The LUMIX GH5S achieves highest-ever image sensitivity and video image quality in the history of LUMIX cameras, especially in low-light situations,” the company says. The 3.2-inch LCD monitor (1,620k-dot approx.) One thing I do notice about the GH5S (although this is with version 0.2 firmware) was the noise reduction is a bit on the heavy side and the exposure seems a bit darker than the A7R III at the same ISO, shutter speed and aperture. Specifically, I'm looking at the detail and perceptible noise on the skiff docked behind bridge, man walking on bridge, railing on bridge, etc. For reasons beyond my understanding the cast of the theater experience was on hand as models. I also added the Nikon D850 and Samsung NX1 to the test video. When viewed on a large monitor, it appears the GH5s begins to fall apart at ISO 6400. Not only are the pixels nearly 2x larger than the GH5, the sensor is larger. There are two things I noticed when I first picked up the GH5S. 2. Physical ... With this technology the model shall be predestinated for video shooting in low light and high dynamic range situations. Sony A7R3 users – THROW AWAY YOUR CANON LENSES! The first model since that camera to go back to the oversized sensor, and a locked-down one at that. The Panasonic GH5 starts to fall behind at ISO 6400. Take your pick – higher resolution stills and 5 axis IBIS will satisfy most people on the GH5 – but the low light and larger sensor on the GH5S are irresistible for filmmakers. It has a maximum ISO of 51,200 and Panasonic showed a demonstration of this at the meeting – it’s a very good camera in low light with realistic warm tones under artificial light. And with the GH5S’s dual native vlog ISO’s of 800 and 5000 and extended ISO going all the way to a mind-bending 204,800, I will definitely want to compare the GH5 and GH5S in low light. Building on the Panasonic Lumix GH5, the GH5S … So much so that when pushed all the way to the new maximum of 51,200 ISO, the Panasonic GH5Shas an image that appears cleaner than the previous Panasonic GH5max of 12,800 ISO. At least 19mm I believe. Panasonic GH5 Real World Autofocus and Low Light Test (Kind of) Tweet. While the NX1's shot is certainly bright, everything else about its image shows how far ahead the GH5S is. The Panasonic Lumix GH5S is designed to be the best low-light video/photography camera available. The entire range, including the extended settings, is available for stills and video. There is an obvious nonlinearity in the numbers. Every digital camera has a native ISO where it operates optimally. The original GH5, as Rob says in the video, is the “King of most things” vs GH5S being specialized for low-light performance. The weak point is autofocus. In my opinion, the GH5S is a more specialized camera and less of an all-rounder than the GH5. A 12mm lens is no longer a 24mm equiv. The next video is filmed on a Panasonic GH5s. However, I added Luca’s NX-L speed booster to the Samsung to give it a leg up – it doesn’t compete with the others at ISO 6400 but if you take into account the exposure boost from the NX-L adapter, you can lower this to ISO 3200 and it’s much better… ISO 1600 is pretty good and ISO 800 is clean as a whistle. Low light performance and better colour is a big focus of the GH5S. On the other hand, the GH5S’ great image quality and easy-to-use interface have earned its praise from filmmakers with more controlled lighting conditions, making the camera a solid option for those folks looking for a reliable Micro 4/3 camera system with some excellent low light capabilities. The low-light footage shot at ISO 6,400 has noticeably less chroma noise than that from the Sony camera. GH5s Low Light Footage Horrible My company bought a GH5s for use in real estate videography, and I am the primary user of the camera. This should also translate into a 1.5-stop improvement in signal-to-noise ratio, producing images that are cleaner with lower noise levels. A7Sii is applying a lot of noise reduction and giving us artefacts from 12800 upwards in low light. The opportunity was specifically designed by Panasonic to show off the GH5S’s low light performance, and consequently, the venue was the dim McKittrick hotel which is also the site of a popular adaptation of Macbeth called Sleep No More. I wish Panasonic would have added a few more features to the GH5S to distinguish between it and the GH5 out of the box, rather than just the new sensor, V-LOG and timecode in/out port. I didn't make the decision to purchase the camera, but it was purchased mostly for it's low light performance, due to houses being anywhere from dark as a … Its mirrorless design enables the high performance, durability, mobility and low light gathering needed for professional Cinematic and Anamorphic 4K video production. The original GH5, as Rob says in the video, is the “King of most things” vs GH5S being specialized for low-light performance. Panasonic touts their newly announced GH5S as the low-light king, and just like with the Sony a7S (and a7S II) the S stands for “sensitivity”. This gives you the first clue as to why 5 axis IBIS had to go away on this camera. Above that and the GH5s becomes noisy but that is a full 3 stops better than the GH5 which is impressive. The Panasonic Lumix GH5S is designed to be the best low-light video/photography camera available. Like. “The Dual Native ISO Technology [with low range (400) and high range (2,500)] suppresses noise to produce cleaner footage when taken in all light. If your photo subject moves around a whole lot you might want to skip this camera. Unlike the GH5, the GH5S comes with V-LOG-L out of the box. Exceptional low-light performance is a key capacity for professional videography, and you’ll enjoy this and much more with the new LUMIX GH5s! In other words, DPR raves about low-light video with the GH5s, but I see the potential for stills too. This eliminates the thud thud thud as you move the camera whilst it’s off, the sensor block stays put. Camera maven Philip Bloom took the cameras to the street to settle the "low-light king" debate once and for all, bringing along a Sony a7R III, Sony a7S II, and Panasonic GH5s for his low-light test. That means a 1.78x crop horizontally vs full frame, instead of the usual 2x crop of the GH5 (or 2.3x of older GH4 in 4K). Panasonic says the new Lumix GH5S is an 'superior mirrorless camera for videography, designed and developed for professional filmmakers' and it will be available from the end of January 2018 with an RRP of &beat out;2199 / €2549.99 (body only). Low-light sensitivity, that is. The 10bit codec makes for a solid V-LOG-L and the low light performance is a definite step up from the GH5 though, highly noticeable at anything past ISO 800. Next, with the help of some actors from Sleep No More, I took a series of shots, starting at ISO 1600 and moving up one step at a time to see how the GH5S photos handled things. This technology is complex, but once the light is captured by the sensor’s pixels, it is then processed by two analogue circuits to a digital signal, rather than one circuit as with the GH5. If I were Panasonic however, I’d have put a bit more differentiation between the two models. Technically, any camera can take a picture in complete darkness. Combined with very fast lenses and a Metabones Speed Booster, and you could say it surpasses quite a few full frame cameras and all of Canon’s, even the 1D X Mark II and 1D C (which I will compare in a later post). Sony FX6 is here, but will you still have a job to go with it?
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